Multimedia artist
My artistic interests are closely linked to my philosophical research. I take up the question of matter, time and processuality, I'm interested in the problem of passage and becoming - and it's from this perspective that I see the identity of man. In my artistic work (and also in my philosophical research) I involve reflection on the corporeality or materiality of the world - something that has been rejected and devalued for centuries in philosophical thought. I present corporeality and materiality as elements as essential as the esprit, and therefore as important components of our experience (I refer to French phenomenological thought). In fact, in my work I combine elements that only appear to be opposites and, as a result, whose boundaries cannot be clearly defined .
Thus my interest also in the difference itself, the border, and the gap, the fissure.
Human - Non-human
Plant's body
This series stems from my interest in the body and organic matter, but it also involves a reflection on the border, on everything that is 'in-between'. I pose the problem of the impossibility of defining a fixed boundary between the human and the non-human, and I look for these relations in nature.
"Plant's body", 2024
- series of works on paper (50 x 70 cm) made using own technique (mixed with pencil and watercolours).
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"Plant's body", (Magnolia, Poppy, Vine, Mammilaria...), 2024 - 2025
-series of works on paper (29,7 x 42 cm), own technique
This series explores the concept of corporeality, a subject that has long fascinated me, while also engaging with philosophical reflections on dualisms and the agency of non-human entities. A key element is the reference to a specific plant and its grounding in the real world.
In this project, I’m inspired by how certain plant forms—spirals, unfolding shapes, vein-like structures—resemble human organs or embryonic forms. Their beauty often hides toxic qualities, reflecting a deeper ambiguity. These ideas are explored within the series Plants’ Body, part of the broader Human–Non-human project, which connects art and philosophy, particularly around issues of embodiment, affectivity, and interconnection.
Philosophical influences include Bruno Latour’s Actor-Network Theory, which rethinks agency beyond the human, and theories by Rosi Braidotti and Gilles Deleuze, who challenge traditional dualisms. Boundaries, in their view, are not fixed or fluid but constantly being constructed and deconstructed.
"Trees",
from the serie "Plant's body", 2024- 2025
- series of works on paper (76,5 x 56,5 cm), own technique
"Vigne",
oil on canvas, 30 x 30 cm,
2024-2025
"Trees",
from the serie "Plant's body",
video, loop
2011
"Objets non-précieux"
2024
- series of works on canvas (20x20 cm) made using own techniques (bread leaven, hair, resin, watercolours).
In this series of non-precious objetcs I use living bacteria - I work with levin, but also I continue my work with hair.
The series “Non-Precious Objects” explores organic materiality and natural processes by combining living sourdough and human hair. Each work emerges through the interaction between the artist and bacteria: after applying the sourdough, I let the material act on its own, then intervene to highlight organic forms with watercolor and hair. The series questions the boundaries between human and non-human, the co-existence of entities, and the constantly evolving nature of identity, while emphasizing hybridity, corporeality, and the intimate relationship between human creation and the autonomous processes of matter.
Humain-Non-humain
oil painting on canvas 30 x 30 cm,
hair, thread
Chair de Neurones
2023 - 2024
A series of photographs made in biological laboratory
(mixed with graphic techniques)
printed on pearl paper 50x70 cm
Humain-Non-humain
2023 - 2024
A series of photographs
(different shots of mold)
printed on pearl paper 50x70 cm
Untitled
iniciated in 2013
image on canvas made of various people's hair,
fragment
Untitled
2013
video
01:53 min
Untitled
2012
video
01:52 min
Untitled
2011
video, loop
Matter
2011
series of 4 animations